Let's dive into the world of Yeon Sang-ho's latest zombie thriller, 'Colony,' a film that promises to take us on a thrilling ride through a post-apocalyptic Seoul. Personally, I find it intriguing how this movie, a follow-up to the director's previous hit 'Train to Busan,' explores the concept of civilization and communication in a unique and terrifying way.
The Zombie Apocalypse with a Twist
'Colony' presents us with a group of survivors trapped in a high-rise office tower, battling not just the typical mindless zombies but a new breed—quadrupedal, communicative, and incredibly menacing. The film's premise raises an interesting question: what if the undead could coordinate their attacks and adapt to their environment? It's a terrifying thought, and Yeon delivers on the horror front, with bone-crunching action and ghastly visuals.
Communication: A Double-Edged Sword
One of the film's central themes is communication, a concept that Yeon explores through the lens of collective intelligence. The zombies, with their ability to communicate, represent a second cognitive revolution, challenging our notions of civilization and survival. This interpretation of communication as a powerful tool, or even a threat, is what makes 'Colony' stand out. It's a unique take on the zombie genre, and I believe it adds a layer of depth that keeps viewers engaged.
Characters: More Than Just Plot Devices
While the brother-sister duo, played by Ji Chan-wook and Kim Shin-rock, shine with their likability and physicality, the film's other characters also deserve recognition. Kwon Se-Jeong, portrayed by Gianna Jun, leads the survivors with her academic prowess and ability to decipher the zombies' evolving behavior. Dr. Suh, the antagonist, adds a layer of complexity with his bitter grudge and self-injected vaccine. These characters, though not fully explored, are given enough depth to make their fates emotionally investable.
Visuals and Action: A Cut Above
The film's cinematography and sound design elevate the action sequences, providing a thrilling and spirited experience. The close-ups on the zombies, with their mother-of-pearl eyes, are particularly haunting. The transformation scenes, choreographed by a team of experts, are a highlight, showcasing the physicality and talent of the cast. 'Colony' feels more vibrant and engaging than its predecessor, 'Peninsula,' with a focus on intimate moments and tragic sacrifices.
Metaphor and Critique
The metaphor of perfect communication as a nod to our AI-driven world is an intriguing one, but it falls short of a deeper critique. Communication, as portrayed in the film, is more of a one-way transmission, lacking the ritualistic value it holds in real life. While the film doesn't aim to be a fascist critique or a treatise on institutional failure, it could have benefited from a more emotional and intimate approach to its pacing.
A Comparison to '28 Years Later: The Bone Temple'
As I watched 'Colony,' I couldn't help but draw comparisons to Nia DaCosta's '28 Years Later: The Bone Temple.' Both films feature coked-out action zombies, but DaCosta's exploration of the 'memento mori' concept adds a layer of grace and remembrance to the genre. 'Colony,' despite its masterful craftsmanship, lacks that emotional punch, especially in a world on the brink of an AI-enabled collapse.
Final Thoughts
'Colony' is a solid addition to the zombie genre, offering a unique take on communication and civilization. While it may not reach the heights of ultra-originality, it provides an enjoyable and thrilling experience. With its focus on action and visual spectacle, the film leaves a lasting impression. I'd give it a solid B, a grade that reflects its strengths and areas for improvement.
